My mom was a kid during the Cold War of the 1950s. She knew there’d be a nuclear war. I was a kid during the Evil Empire era of the 80s. I knew there’d be a nuclear war. What point was there in trying to do anything when I wouldn’t be growing up? And now here we are again. I have no idea what’s going to happen, but I do know we have each other, and the connections we forge. We have the words we write, the art we make, the code we design, the smiles we share, the pets we snuggle, the joy of oxygen going in and out of our lungs. Under our feet lies a planet in the Goldilocks zone: we already beat the odds.
I feel 100% certain if I google I am going to find this idea has been done in a thousand other media posts in dozens of countries before now, but I refuse to burst the bubble of Chamnan Ly from Tasteful Bakehouse. Good on you, mate.
I’ve sold 22 copies of Salt of Your Tears, and a bunch more read it on KU. I earned USD $79 from it, which pushed my US Kindle earnings over my $USD100 minimum payout, and I just banked a cheque, wooooo. Y’all have paid my June electricity bill and kept me warm and functioning for another month and I am so, so grateful. I wish I knew everyone’s names so I could thank you all personally. I literally do know the names of quite a few of you and squishy hugs will be forthcoming in October.
Transplanting a brain onto another body isn’t just giving an existing personality a new home, it’s creating a whole different being. I think we should go for it, but we have to acknowledge we can’t know what the outcome going to be like.
The future is barreling toward us and we’re not ready.
The thing I miss most about music stores is finding unexpected treasures. Queen St store Real Groovy was my dealer of choice. You had to ask to try a CD/vinyl and they’d put it on one of the ‘listening posts’ so you could sample it. I almost always ended up buying whatever was playing in the store, though: the guaranteed-eclectic choice of random staff members. That’s how I found Bonobo aka Simon Green, with his Remixes and B Sides in 2002. In 1997 I walked in and Degobrah by Butter 08 hit me like an aural brick. I immediately bought the City of Industry soundtrack without knowing a damn thing about the film or the artists, and that’s how I discovered Massive Attack.
Real Groovy still exists, although in a new, smaller, building across the road. Yet somehow it seems too hard to head into the CBD by bus (there is zero parking) and sample music in meat space, when I can download it instantly without leaving the cocoon of my home. Instead I subscribe to a couple of thoughtfully curated mass-market new music lists, although I have no idea of the curators’ motivations, loves, or potential kickbacks.
I’m missing out. Where is the new, unexpected work that grabs my liver and shakes me by the vertebrae? I know it’s out there. There must be an online equivalent of descending into a gloomy cavern, entirely unaware of what’s about to ooze into your ears.